![]() I just hadn't fallen upon the softube stuff before I bought this one. My fault though considering I had 14 days to figure it out. Maybe I'll go back and try it again with some different mics and stuff.but for now I just feel like I wasted a bunch of money on an overpriced plug. But demo it out and see for yourself, you might really like it. The Harrison is not like 's just ok.especially if you have great signals and sources to work with.but I don't think it's got any magic like the ones I mentioned. But with the softube I can push there and it never sounds wrong even when overdone and right in your face. That's home base for the range of vocals I was trying to perfect so I popped on it. Some waves plugins seem to work and show their GUI with 32C and others are just blank when instantiated. I guess I should preface that I purchased this because someone said you can boost 3k in this thing and it's a dream. Apparently Waves isnt supported by Harrison or the other way around. Those are way more analog and warm and full musical sounding to me. Straightforward what you see is what you get mixer layout based on Harrisons renowned 32-series and MRseries music consoles. ![]() Mixbus has been optimized to provide a classic Harrison analog sound. Having said that, this is not even close to being in the ballpark of something like the Softube active and passive EQ's. Mixbus also incorporates elements from the rich history of Harrison analog designs. Paul Third on youtube talks about this in depth and there are some google articles that cover it. Apparently UAD knew this wasn't going to fly with their customers so they did ad something to the plug to make it "vibe" a bit, but I'm still not impressed. That means there wasn't anything different about it from any other standard EQ except for the curves it was made with.which anyone could do with any stock EQ with the Q function. Apparently Harrison released their version of this EQ natively and didn't include any of the harmonic distortion that would make it sound like the original. I used this plug for a bit and thought it was pretty decent so I popped on it, and I regret it now. Not really in love with this thing.regret buying it. Finally, the Harrison 32C features 12 dB per octave High and Low Pass filters which can be switched in or out. Furthermore, the Low band is switchable from Peak to Shelving EQ. Instead of traditional Q controls, the 32C has circuitry that automatically adjusts the effective bandwidth, adding to its signature sound. Each of the Low (40-600 Hz), Low-Mid (200Hz to 3.1 kHz), Hi-Mid (400 Hz to 6 kHz), and High (900 Hz to 13 kHz) bands have fully sweepable Frequency and Gain Controls. Renowned for its colorful, smooth high-end response, and friendly, put-it-on-everything usefulness, the Harrison 32C EQ plug-in features four overlapping parametric bands. “The additional Harrison EQs within Pro Tools sessions are a Godsend.” “I never dreamed Universal Audio’s design team could come so unbelievably close to capturing the sound of my beloved desk,” says Swedien. and engineer Bruce Swedien (Quincy Jones, Michael Jackson), Universal Audio has recreated the Harrison four-band 32C channel EQ from Swedien’s own Harrison 32 Series console - the same console behind Michael Jackson’s Thriller. The Harrison 32C Channel EQ plug-in for UAD-2 hardware and Apollo interfaces is an expert emulation of this classic, character-rich, four-band channel EQ.
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